selected work, materials, and fragments
Embedded Files
CHECKMATE
2020
Material / Format: UX design, visual identity, campaign toolkit, print & digital
# practice: UX design · public engagement · visual systems · collaboration
A group design project developed for Schacksällskapet Kalmar, addressing the club’s challenge of reaching a more diverse audience. The project took the form of a public-facing toolkit combining print and digital communication. The work included a new visual identity, multilingual messaging, social media concepts, and a prototype website inviting the public to participate in chess events. Temporary pop-up chess activities were proposed as social spaces for learning, exchange, and breaking cultural and language barriers. The project explored how design can support inclusion through accessibility, tone, and format.
Fågelbo
2020
Material / Format: Illustrated activity guide, manual design
# practice: illustration · instructional design · sustainability · craft
An illustrated manual guiding readers through the process of creating a bird’s nest basket using natural, locally sourced materials. The guide introduces the material, where to find it, and how to work with it using a simple weaving technique. Inspired by the clarity of IKEA manuals, the design uses step-by-step illustrations to make the process approachable and engaging. The project focuses on learning through making, sustainability, and reconnecting with natural surroundings through simple craft practices.
https://sites.google.com/view/fagelbo/
Spectrograms
2019
Material / Format: Artist book, sound installation, exhibition
# practice: artistic research · sound · visualisation · exhibition
A collaborative installation and artist book exhibited at Kalmar Konstmuseum as part of The World of Artist Books. The project explores the relationship between sound, emotion, and visual form. Three soundscapes were created, each based on a specific emotional experience. Visitors could enter the work both audibly and visually, engaging with sound as spatial, emotional, and graphic material. The project investigates how intangible experiences can be translated into visual and physical form.
Together
2018
Material / Format: Illustration, print
# practice: research-based design · ecology · illustration
An illustration project developed as part of a research assignment exploring mycelium and its relationship with other species within an ecosystem. The work takes the form of a memory map seen from the perspective of mycelium. The illustration began as analogue sketches and was later digitally coloured and printed as a folded A4 publication. The project reflects on interconnectedness, collaboration, and non-human perspectives through visual storytelling.
The Block
Year not specified
Material / Format: Artistic research, visual exploration
# practice: decolonial design · political research · spatial analysis
An artistic research project examining how materials, structures, and forms reshape the Palestinian landscape under occupation. The work explores the Wall as a physical barrier, tunnel system, checkpoint, and enclosure — and as a lived condition.Through visual investigation, the project highlights the layered realities experienced by Palestinians: restriction, adaptation, and persistence. The work reflects on how design and spatial structures embody systems of oppression while also revealing resilience and resistance.
Global Warning
2019
Material / Format: Illustration, poster
# practice: visual communication · climate awareness · public messaging
A poster developed as part of a public awareness project on climate change. The work focuses on melting ice caps as one visible consequence of continued modernisation and environmental neglect.The poster aims to communicate urgency while emphasising both individual and collective responsibility. It uses illustration as a tool to translate abstract environmental data into immediate visual impact.
Hopp och sorg i en vilsen tid
Nov 2023 – Jan 2024
Material / Format: Print systems, workshop toolkit, editorial design
# practice: workshop design · print systems · low-tech design · facilitation
Design of the material and print system for a four-session workshop series exploring grief and hope in the context of climate transition. The work focused on creating a minimal, tactile, and durable workshop kit suited for facilitated group settings. The project included grid-based guides, exercise cards, and printed materials, carefully adapted for folding, paper choice, and repeated use. Academic and pedagogical research was translated into clear visual structures, drawing on craft-based and low-tech design principles. Developed in collaboration with Karolina Lundahl and based on research at Malmö University, with Naturum Öresund and Folkuniversitetet; funded by SMHI.
Tatreez Stories
MFA Final Project · 2023
Material / Format: Design research, digital platform, visual storytelling
# practice: decolonial design · cultural heritage · interaction design
A design research project investigating the relationship between visual culture, identity, and solidarity within the context of settler colonialism in occupied Palestine. The research examines how fear, misrepresentation, and erasure shape Palestinian narratives — and how design can counter these forces through care and accuracy. The project proposes Tatreez Stories, a digital platform that combines traditional Palestinian embroidery patterns with contemporary personal narratives. Through colour, pattern, and storytelling, the platform enables Palestinians to share experiences of identity, struggle, and hope, while fostering global understanding and solidarity.
𝕻𝕺𝕾𝕿𝕰𝕽𝕾F̶̳̹̺̖̪̙͉̖̲̐̍̌̄̓̎͜͝͠Ḁ̴̡̨̟͉̗̈̎̓̐̇N̶̡̰̬̺̥̫̠͐̅̈́͑͂Z̶̘̰̦̤̠̈́İ̴̢̨̼̤͈̜̝͖̦͎́̍́́͆N̸̤̆̀͗̌̾͜Ȩ̸̢̩̘͖̻̪̳̂̀̓̿
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Airport Scanner
2018
Material / Format: Photogram, Milford paper (8 × 10 in)
# practice: experimental photography · material exploration
A photogram created during an artist studio course in Kalmar, using everyday objects placed directly onto photographic paper. The work reflects on mobility, control, and personal belongings within airport security contexts. The bag becomes an emotional object, carrying documents, weight, memory, and risk. It adapts to every place without changing itself, becoming heavier or lighter depending on uncertainty, direction, and purpose.
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